Edward McGuire: Botanic Gardens [download]

£18.50

For 2 pianos, 4 players. Composed 2016. Commissioned by Richard Deering and first performed by Grimoire at the University of Glasgow, 10 March 2016.

Computer typeset score (58p) saved as pdf.

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For 2 pianos, 4 players. Composed 2016. Commissioned by Richard Deering and first performed by Grimoire at the University of Glasgow, 10 March 2016.

Computer typeset score (58p) saved as pdf.

For 2 pianos, 4 players. Composed 2016. Commissioned by Richard Deering and first performed by Grimoire at the University of Glasgow, 10 March 2016.

Computer typeset score (58p) saved as pdf.

This music is inspired by Glasgow’s Botanic Gardens, anticipating their 200th anniversary in 2017. I take a stroll there whenever possible.

This continuous sequence uses a variety of musical intervals to achieve its spectrum of colours. Fifths, fourths, then thirds, whole tones and semitones mark its 6 sections: Metasequoia, Arid Zone, Humid Tropics, Spicy & Economic, Meeting Old Friends, Kibble Palace Sunset.

The Metasequoia tree has a distinctive wide base that rises to a fine point (the whole keyboard is used to suggest this); it was thought to. be just a fossil (discovered in Japan) until a living specimen was found in China in 1941. The Arid Zone introduces a dry staccato - and remembers James Iliff, my composition teacher, who was an expect on cacti. The interval of a third is used with a repeating pulse of seven beats. Humid Tropics is suitably lush while the semitone activity of Spicy & Economic reminds us of the regions exploited for their labour and productivity. The pleasant surprise of crossing paths with familiar faces in the gardens is represented in Meeting Old Friends; Jimmy Cloughey and his fellow Upper Clydeside Shipbuilders work-in veterans are represented here in the four overlapping voices of a short fugal section. The previously widely separated intervals of the opening theme are then brought close together in a melodic line. The vision of the newly-restored glasshouse, the Kibble Palace, fades away on the final chords.

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